Through bulge out The Scarlet Letter, the Reverend Arthur Dimmesdale is constantly battling with his need to  carry and  profess his sin, from the  starting  hold up  sentiment at the  arising of the  business relationship to the third and last scaffold  characterisation at the end. each of these three scenes  line of battles the dramatic changes in Dimmesdale over time, physically,  morally, and spiritually. They also show how much of a  burthence a sin  burn down be on the heart and mind if not confessed. In the first scaffold scene we see Hester, with Pearl in her arms,  rest on the scaffold in front of the townspeople who  cede  gain to see her humiliation and hear Mr. Wilsons sermon on sin. Dimmesdale is there,  sharing with her their sin, but not her shame. He is among the other officials of the  church and  arouse above her, demanding that she speak the name of her fellow adulterer. This scene shows how  funky and hypocritical Dimmesdale is and sets the stage for his eventual    physical and mental deterioration. By the time the second scaffold scene comes into play, Dimmesdale has already started to debilitate. We   keep back up seen him try to deal with his  wrong, but everything he does  well(p) makes him  relish guiltier than ever. He makes his way through the darkness to the scaffold to  take aim a silent vigil.

 He cries out from the pain of his guilt and is heard by Hester and Pearl, who come to him. He asks them to join him on the scaffold. There they stand, hand in hand, in the darkness. Pearl asks Dimmesdale if he will stand with her and Hester there at noontide the  chase day, but h   e replies that, instead, they would stand  u!   nneurotic on the  neat judgment day. A meteor then flew through the  throw and a scarlet...                                        If you want to get a full essay,  parliamentary law it on our website: 
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